"Chopping Up" Pinoy Psychology: AXES Illustration Paragraphs

The above clip features psychology Professor Kevin Nadal (he also does stand-up - talk about renaissance man). I like how Nadal illustrates Filipino American psychological phenomena using humor. I use his text book Filipino American Psychology in a composition class I teach. Why? For one, the class is part of a Filipino American Learning Community, so the subject matter is right on time. Secondly, the book features rhetorical modes typically found in college textbooks. And one of the big lessons I hope to teach is how to recognize and replicate those types of writing.

Courageous Conversations at Southwestern College

My colleagues and I organized a Courageous Conversations dialogue program recently for all three of the multicultural learning communities here on our campus: Bayan, the Filipina/o American focused learning community; Puente, the Latina/o learning community: and Umoja, the learning community focused on African and African American students and issues. 

We, along with the professional development office  on our campus, wanted to create a space for dialogue about human relations issues that our students face - race, gender, criminal justice issues, internalized racism, colorism, and class to name a few. And we wanted to broaden the circle of safety that naturally develops in a learning community to a wider circle.

We used as our inspiration the book Courageous Conversations About Race by Glen Singleton and Curtis Wallace and a version of a discussion protocol called “conver-stations” from the Cult of Pedagogy website. In addition, I was inspired by a workshop I attended in Spring presented by the San Diego Area Writing Project, revising their program for a student audience. I'm grateful to all our sources for their intellectual generosity! 

Participants at the SDAWP workshop ( K- 16 teachers, professors, and administrators) rotated through three rounds of conversations ranging from sexual orientation and diversity to social justice activism to institutional racism. Each conversation took place at a table with about ten (10) people and a facilitator. After the workshop leader welcomed participants and reviewed communication agreements, facilitators at each table asked participants to introduce themselves and to briefly (ever so briefly!) state their investment in the issues. Then, each facilitator took a brief moment to either share short readings or share a set of provocative questions to get the conversation going. 

Using Music to Distinguish Between "Content" and "Structure"

A major objective in all my classes is for students to distinguish between content and structure, between the meaning of a text and the strategies authors use to construct that meaning. Students typically come into my class with strong summary skills, and they are definitely on the path toward being able to identify an author's main and secondary ideas, i.e., the content. Certainly, they can strengthen those skills - and that’s why they're in my class! 

The more difficult skill to master for practically everyone in my classes is to identify the moves or structures that the authors use to express those ideas. By “moves” and “structures,” I mean what the writer does to express her content: describe, explain, contrast, express effect, tell a story, use dialogue, state a point, or give examples.

Certainly, “meaning” and “moves” are mutually reinforcing, difficult to separate. At the same time, I want students to be able to identify what writers do so they can emulate those moves to express their own ideas. To introduce students to this process, we examined texts students are already deeply invested in: music they love.

Low Stakes + Building an Academic Community: Two for One!

Two important lessons I re-learned during professional development last summer was the importance of assigning low-stakes writing tasks and of building community. During the California Acceleration Program’s Summer Workshop, facilitators urged us to consider using low-stakes (sometimes called “writing-to-learn” activities) to ease students into more complex writing tasks. At the UMOJA Community Summer Learning Institute, we reviewed the significance of building communal intelligence, the intentional calling out and supporting of students efforts to build their knowledge base together. 

This last week, I attempted to weave together both these principles in all four of my classes.  We used a digital bulletin board to compile “meaty” quotes from their readings and the reasons they thought those quotes were meaningful. Students are in the middle of composing a synthesis essay based on texts by Paulo Freire, Jean Anyon, and bell hooks - a pretty heady, complex set of readings for first-time freshman. One of the big objectives of this assignment is to give students practice incorporating quotes into their essay. They have to select quotes that support a larger claim, which not only means finding quotes. It means being able to interpret those quotes, explaining to readers how and why that quote supports the student writer’s synthesis. 

Avoiding Summer Melt & Prepping for Fall

Here's a common misconception: Teachers get the whole summer off to loll about in the sun, vacation, and otherwise divert ourselves. Pure recreation - not. 

Now here's my observed lived reality: Teachers' summers can easily morph into one extended prep period. Certainly, there's time for decompressing and recreation. But I find that even when I'm "off the clock", I've got teaching and learning on the brain.  Inspiration weaves it's way into practically whatever I do. I can't read a book, watch a movie, or listen to a song without seeing a new lesson for class.

I also use the summer, particularly this one, for reading to keep up with best teaching practices. Reading inspires fresh idea to try next semester. Reading makes me reflect on the assignments and activities I did over the last semester, figuring out how to be more effective. Instead of "being in the moment" of summer fun, I'm looking forward and looking back. 

Because I work in special programs, I've also devoted time to recruiting, admitting, and orienting students to those programs this summer. I teach in a Learning Community, a pair of linked classes that share a common focus. I'm the English professor, paired with a counselor who is the professor for the personal development class - sort of like a general colloquium, the "how-to-be-a-college-student" class. 

One of the learning communities I teach is Bayan, Tagalog for "hometown/heritage" or "community." Bayan is geared toward first-generation college students, and we focus Filipino American issues and perspectives (the program is open to any student regardless of race, culture, or ethnicity - they simply have to be invested in our focus). 

Reflecting on Students' Voices: What Will They Remember?

Who doesn't love Maya Angelou? She inspires, putting into words what we might instinctively "get" but aren't skillful enough to express. Angelou reminds us of truths we might to avoid. 

One of those truths is that students in my classes often DO NOT feel the same passion for English as I do. They have a gut reaction quite the opposite of mine, coming to class dreading the topic. 

For many, the mere mention of "English" paralyzes, conjures memories of rigid rules, rote memorization, or unpleasant teachers. Many students associate English with distasteful, even painful, feelings - even if they have learned important skills, skill they often cannot name but have actually mastered.

So Angelou's quote about remembering feelings over what someone (teachers) said or did (instruction?) hits home. Shoot, I can't remember which of my teachers taught me what. But I can list whose classes made me feel good. 

This past semester, my co-teacher asked students to discuss in writing what they took away from our learning community. She teaches the Personal Development course linked to my English course. The reflection questions were pretty open, asking about "shining moments" and lessons learned that they expect to remember. I'm glad she had students write their reflections because their words verify the truth of Angelou's words.

Experiments in Making: The "Identity Is" Project

Readers might be curious about the "Bayan Professor" part of this blog's URL. Bayan is Tagalog, a Filipino dialect, for town or municipality. Bayan also connotes family, home - the beloved community. It's the name me and my teaching partner chose for our linked classes, the Bayan Learning Community.

My partner teaches the Personal Development component of our paired classes, the first-year college colloquium, the "how to be a college student" class. I'm the English professor. While Bayan does special outreach to Filipino and Filipino American students, Bayan Scholars don't have to be Filipino. They must, however, be willing to engage Filipino American themes to master Personal Development and English skills.

My co-teacher and I layout our learning objectives and, considering the shared themes, look for intersections, moments where we can leverage the overlaps. We want students to experience how different disciplines actually complement each other, how classes feed into the other. We're also committed to "making,", i.e., having students create as much as they consume. We want our students to see themselves as producers of knowledge, not merely passively taking in information. The "Identity Is" Project was our most ambitious unit this semester.