Students Curate and Share Examples of Freire's Modes of Education

As students in my composition courses prepare to write essays that take a position on Freire, we spent time collecting images, poems, and quotes. While students basically "get" Freire's ideas, I wanted to assess whether students could find illustrations on their own and if they could explain how those images exemplify Freire's ideas. In other words, do students know what I mean for them to know? 

Students have already read and analyzed a variety of poems and images that illustrate the Banking Concept and Problem Posing Modes of education. Those clips are included on the below Padlet, the ones labeled "Henry A."  For this particular assignment, a student looked for their own resources and had to explain in writing how those resources illustrate Freire's ideas.  

This Padlet task supports the "big essay" assignment on Freire's ideas. Students have two options for the  prompt: "The kind of education I deserve" and "The education that Southwestern College students require to solve our community's problems." Freire's two modes of education serve as our "theoretical framework" to help students articulate their answers, answers they've already been addressing for a few weeks previously (see previous entry titled "Writing as a Pre-Reading Strategy").

Writing as a Pre-Reading Strategy: Thinking like an Education Philosopher

-Dehumanization and schooling is the theme of the first writing project in two of my English Composition courses this semester. 

We will read chapter two from Paulo Freire’s Pedagogy of the Oppressed, where he outlines the “banking concept” and “problem-posing” modes of education. Instead of diving directly into his prose, I wanted to see how students were already engaged with Freire’s ideas, even without having read his text. 

To do this, we examined several editorial cartoons that depict the banking mode of education and a couple others that point to the possibility of another mode of education.

After discussing what we observed and interpreted, students had the opportunity to talk in pairs about what they experienced in school. How representative were the cartoons of their own experience or observation? 

Poetry & Pedagogy: Prepping for an In-Class Essay

To prepare students for an upcoming in-class essay, we did a version of “reciprocal teaching.” The essay prompt asks students to use two scholar’s theories to make sense of a phenomenon. In this case, the theorists are Paulo Freire and Jean Anyon, two educational scholars. The object of study is a classroom of their choice - perhaps one they remember from elementary or high school or one they are currently enrolled in here at college.  We’d done multiple “draft readings” and several pre-writing activities to unpack the scholar's ideas, but the “moment of truth” was upon us, and I wanted to them to rehearse. 

Brain Dumps, Summaries, and Collaborative Writing

Today in two of my classes, we did a brain dump, where both class went the whiteboard and “dumped” everything they had in their brains about two of the major readings we’ve been analyzing. By “dump" I mean list absolutely everything they knew about our two readings. Half the class worked on Paulo Freire chapter “The ‘Banking Mode’ of Education”. The other focused on Jean Anyon’s “Social Class and the Hidden Curriculum.” We’re working on a big writing project based on both readings, and I wanted to do some retrieval practice and to compose summaries - a key element of their essay.

Spotlighting Student Voices Using the Author's Chair

I finally attempted the “author’s chair” activity, something I had experienced at San Diego Area Writing Project. This protocol calls for students to take a seat in the front of the room to read a piece of their writing, typically a work in progress. I never had the nerve to try before. What if no one volunteered? What if students didn’t respond? What if students weren't interested in each others' ideas?

On this particular day, students had completed a mini-essay, a flash draft. I set up the room, explaining the process. I reminded folks about one of our “class agreements”: No apologies! What we write in class are first drafts, sloppy and scribbly, so there’s no need to say “I’m sorry".  I want students to be be okay with the natural imperfections of an early draft. I want them to develop the nerve they need to share works in progress. 

Feeling the Burn of Mentor Texts & Mea Culpas

Teachers should learn from students. This statement has become so axiomatic as to become cliche. Tired, even. And yet, it’s a home truth, one that I subscribe to because of my study of Paulo Freire and bell hooks On an intellectual, theoretical tip, I get it. Teacher-student. Student-teacher. Resolve the contradiction between those roles. 

A recent pair of episodes, however, hit me at an experiential, gut level. What happened in class taught me, in a new way, essential lessons. Students modeled how I can “practice what I preach in terms of the kind of person I want to be and the kind of writer I aspire to become.